As Composer/Sound Designer:
Of Mice and Men (Birmingham Rep); Show 6 – Secret Theatre (Lyric Hammersmith/Edinburgh Festival); Wolf Hall/Bring Up The Bodies (as sound designer) (RSC/West End); All My Sons (as composer), Lord of The Flies, The Crucible (Regent’s Park Open Air Theatre); Othello (as composer) (National Theatre); Los Macbez (CDN Madrid); The Mistress Contract, The Ritual Slaughter of Gorge Mastromas, Talk Show (Open Court), Narrative, Get Santa! (co-creator), The Vertical Hour, The Priory, Relocated (Royal Court); A Life of Galileo, Richard III, The Drunks, God in Ruins (RSC); Bank On It (Theatre Rites); ‘Tis Pity She’s A Whore (Cheek By Jowl); The Danton Affair (Stadsteatern Gothenburg); 27, The Wheel, The Wonderful World of Dissocia (National Theatre of Scotland); Dunsinane (National Theatre of Scotland/RSC/tour); Falstaff, Urtain, Marat-Sade (Spanish National Theatre); Paradise (Rhur Triennale/Theatre Rites), Penumbra, Tito Andronico (Animalario, Madrid); Panic (Improbable); The Family Reunion (Donmar); Bonheur (Comedie Francais); Realism (Edinburgh International Festival/National Theatre of Scotland); The Wolves in the Walls (National Theatre of Scotland/Improbable).
Premios Max Award for Best Musical Composition for Scenic Arts (Urtain).
Nick also writes extensively for TV & film. He is half of OSKAR who have released two albums and produced installations for the V&A and CCA, as well as written live soundtracks for Prada in Milan.